Birth Date/Place: January 2, 1961 in Phoenix, AZ
Education: Bachelor of Fine Arts (Photography), Arizona State University, Tempe, AZ 1985
Exhibitions:
Trinity Gallery, Atlanta, GA
9th Biennial National Juried Exhibition, Dinnerware Contemporary Gallery, Tucson, AZ
Alchemy of Light, Cumberland Gallery, Nashville, TN
Arizona Biennial 2001, Tucson Museum of Art, Tucson, AZ
SOHO Triad Fine Arts, New York, NY
Exhibition in Photography, Udinotti Gallery, Scottsdale, AZ
2000 ART PARIS, An Carrousel do Louvre, in collaboration with Galerie Callu Merite, Paris, France
Chiaroscuro Gallery, Sante Fe, New Mexico
Grace, Center for Photography, Woodstock, NY
New Finds/Old Favorites, SOHO Triad Fine Arts, New York, NY
Arizona Biennial 1999, Arizona Commission on the Arts National
Traveling Exhibition in collaboration with Tucson Museum of Art
1999 8th Annual Scene/Unseen, Eastern New Mexico University, Portales, NM
Insight: Contemporary Self-Portraits, Galeria Mesa, Mesa, AZ
Arizona State University Art Museum, Tempe, AZ
ART PARIS, Au Carrousel du Louvre, 1st Salon, Paris, France
ANA 28, Holter Museum of Art, Helena, MT
Arizona Biennial 1999, Tucson Museum of Art, Tucson, AZ
SF Camerwork 1999 Members Exhibition, San Francisco, CA
15th Annual National Juried Exhibition, Berkeley Art Center, CA
10th Annual Cathedral Arts Festival, Jersey City, NJ
1998 Galerie Callu Merite, Paris, France
Bassetti Fine Art Photographs Gallery, New Orleans, LA
Silver, Union Gallery, University of Arizona, Tucson, AZ
Silver, Chromatics Gallery, Nashville, TN
Silver, MARS Artspace, Phoenix, AZ
1997 Exclusively Photography, 11 East Ashland, Phoenix, AZ
Scene/Unseen, Eastern New Mexico University, Portales, NM
Greed, Orange County Center for Contemporary Art, Santa Ana, CA
La Phoeniquera, MARS Artspace, Phoenix, AZ
RoxSand Restaurant, Phoenix, AZ
Awards :
2000 Recipient, Arizona Artists Materials Grant Award, Phoenix Art Museum
1999 Recipient "Second Place Award" 9th Annual Scene/Unseen National Competition
1999 Recipient of invitation for special workshop with Joel-Peter Witkin, Santa Fe, NM
1997 Recipient of Jurorís Award: Greed, OCCCA, Santa Ana, CA
1997 Recipient of Jurorís Choice Award: La Phoeniquera, MARS Artspace, Phoenix, AZ
Collections:
Keith Carter, Beaumont, TX
Ann Dobson Clements, New York, NY
Ted G. Decker, Phoenix, AZ
Laurie Kratochvil, New York, NY
Mary Ellen Mark, New York, NY
Madeleine Millot-Durrenberger, Strasbourg, France
Craig Pearson, Phoenix, AZ
RoxSand Restaurant, Phoenix, AZ
Santa Fe Art Institute, Santa Fe, NM
Mark Seliger, New York, NY
Peter and Kate Shikany, Phoenix, AZ
James Sonzero, West Hollywood, CA
Michael Wiznerowicz, Seattle, WA
Yared Yawand-Wossen, Pauling, NY
Mary Virginia Swanson, Tucson, AZ
Jack Spencer, Nashville, TN
Publications:
Vanesian, Kathleen "Unhairy Carey"
New Times, Phoenix, AZ, October 14-20, 1999
Rose, Jaimee "Upside-down Insights Given in Black and White"
The Arizona Republic, Phoenix, AZ, Semptember 5, 1999
Rose, Joshua "Exhibit of the Week"
Get Out- Tribune Newspapers, Phoenix, AZ, September 5, 1999
Pringle, Jennifer ASU Insight, Tempe, AZ, August 27, 1999
Verlynde, Cedric "Bob Carey et líecole de la Nouvelle Orleans"
Tausend Augen, Paris, France, February 15, 1999
Vanesian, Kathleen "Art of Darkness", Jave, Phoenix,AZ, June 1998
Taylor, Ben "8 Days a Week"- Our Criticís Picks"
Nashville Scene, Nashville, TN, March 26, 1998
Sowers, Carol "Whatís doing in Phoenix"
The New York Times, New York, NY, January 18, 1998
Cross, Malcolm "Great Food Great Art-Thatís Smart"
Arizona Business Gazette, Phoenix, AZ, August 7, 1997
Rockett, Darcel "MARS Explorer"
The Arizona Republic, Phoenix, AZ, July 25, 1997
Shriver, Jerry "Phoenix Reflects Every Taste Under the Sun"
USA Today, July 1, 1997
Bob Carey
Artistís Statement
Bobís personal journey with his fine art photography continues with his series of silver portraiture. Often using himself as the portraitís subject, the workís intent is to spark a discussion about issues of self-examination in the contexts of gender and identity that each of us face at points in our lives. Often whimsical in nature, Bobís work can be viewed as unsettling or disturbing. However, the purpose of the work is not usually to shock, but rather to request a personal response from the viewer. Viewer engagement is of underlying importance in Bobís work that continues to be personally investigative
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